Bead Weaving - Fixing a Droop problem

My beading style is very intuitive.  Yes, I take classes and yes I look at videos and books and other people's work, but when it comes right down doing the deed, I like to just sit down with a palette of beads, and needle and thread.  And, off I go.

For this project, I dug through some stash and spread it out on my bead pad.  My beadweaving bead stash has not been refreshed in a while and therefore, I don't have any of the 2-hole dagger beads.  I don't have many 2-holed beads at all for that matter. But, I do have some beautiful one hole dagger beads that I decided to incorporate into this piece.

 I started the pendant by stitching around a winter white wood bead, adding layers before embellishing with the daggers.  Once I put daggers all around, it flopped when I held it up.  I expected it to do that but just figured I would find a way to resolve it.

 First, I stitched some beads in a triangular shape behind the daggers.  This provided some support.  They no longer drooped backwards.  Now, they drooped forward.

My solution to that was to stitch gold size 11's around each dagger to hold the front in place but now it looked boring.   The pretty daggers were obscured by some rather bland gold tone beads.

 Then, I remembered my big supersize stash of sequins!!!.  I chose the silver sequins cause they seemed to pop against the rest of the piece.   I liked the watery, mirror effect too.

Just for good measure, I stitched a row of size 11's around the back as I moved from sequin to sequin.  Now, those babies stayed in place.

For the necklace part, I tried going with just a simple strung strand but surprising as this may sound, I felt it took away  from the pendant.  I had been hankering to do some freeform stitching so I decided to stitch around the beads I had strung.  I like this...for now.  I made it so I could easily detach the strands should I decide on a different arrangement in the future.

Here is the final product.

ABS Challenge August - Dressing up your Poly Clay Pendants

I like funky.  A lot.  If something has a bit of a shabby look to it, I'm in.  That doesn't mean I don't like to dress things up sometimes.

This month I was checking out the Art Bead Scene (ABS) monthly challenge and it inspired me to weave a little bead stitching into one of my pendants.  While the palette in my pendant is quite a bit brighter than the Paul Klee's (shown below), I immediately saw the color connection with his.

His pendant is more abstract than mine yet just looking at Klee's rendering, I instantly knew he was capturing a nature scene.  And, I just as instantly thought of my pendant.  Mine is abstract too but in a much more diffused way.  My lines are softer because in my mind's eye, I saw the flowers in a rather unkept garden spilling over themselves versus in a park.

Because I liked the lines in his painting, I decided to add some of my own straight,dotted, and V shapes by stitching a couple rows of beads and adding "flowers."  AND I did so because I scored a huge stock of sequins and therefore every embellishment requires the use of sequins until I bore myself to death with the use of them!!

Anyway, here are pictures of the pendant and the necklace I made from it.  Also pictured below is the other side of this double sided pendant.  I only entered my pendant in the challenge as I was not sure I could use the same piece in both the bead and the jewelry entries.

 And here is the Paul Klee painting.

And here is the necklace.

 And here is the other side of the pendant.

Here is the link to the rest of the entries.  Go check them out.  Art Bead Scene blog

Bead Embroidery - How to destroy your Eyesight in Two Weeks

Take on a bead embroidery project!  As some of you know, for the past couple years, I have refocused my time primarily on polymer clay bead making and jewelry work.  So, here's the backstory as to how I became crazed to the point of spending countless hours consecutively stitching hundreds of seed beads to create this final bead embroidered piece.

I was full steam ahead in poly clay making in June.  Then, a family visit hit in July and the guests were here for a month.  Thoroughly enjoyable.  No bead work done.  I know that sounds counter intuitive but I really was ok with the time off and the month long visit.

After my guest leave, I decide I am going to finish the studio cleanup I started before they got here.  If you get what I'm saying, that would mean going thru the stuff I just crammed in drawers when I ran out of clean up time before they arrived.  So, I pull out this piece of lacy's stiff stuff with 3 beads glued on it and a tiny bit of bead embroidery completed.  It was a piece I had grand ideas for over a year ago, but just couldn't get it together.

Oh, I almost forgot.  What stimulated my renewed effort to complete the studio cleanup was a surprise haul I picked up off the streets of Key West (pic at bottom).  I could really digress here but let me just say the things people throw out here would blow your mind.  People have furnished whole houses with the stuff!!!

Anyway, it was sorting and organizing all those beads that started giving me ideas of how to complete the piece.  I realized half of the problem was not really knowing what I have anymore or where exactly it is.  And so began the process of finishing this piece.  15 days later at an average of 8 hours a day, here is what I came up with including the final project and progress steps.

The "bead" that looks like a mirror on the right front is actually a piece of cut dichroic glass I found from a previous class I attended years ago.  I actually glued a piece of fiber around it because I was afraid it would cut my thread.  Below are the progress pictures.

This was after a few days.  Some of the most intensive work is peyote stitching around the glued cabs.  

More progress.  added a few more cabs because my eyesight was still fairly good.

This is about day 12.  Nearly done and before I will cut the lacy's flush against the beadwork.  I look at it to see how I want to embellish (that was adding the glass leaves, pearls on sequins, etc).  Basically, I am looking to see what might need some more flare or covering.  Sometimes there are tiny white gaps which make a perfect place to embellish.  The other thing I like to do before gluing on the ultrasuede backing is to look at the curves along the edge.  If they are too steep, I know I may run into buckling problems when I  brick stitch the edges so I add beads to smooth them out some.  The last step after gluing the backing on is to stitch it to the lacy's stiff stuff.  I like to use brick stitch but there are other options.

This is the final product cause I can never let well enough alone!

This is my dumpster diving haul that jump started me organizing my beads again.  And yes, it is full now.